CRITIQUE OF AUDITIVE ASPECT AND CONCEPT OF RELIGIOUS MUSIC

Abstract

This article examines lack of critique of auditory aspect in the Muslim cultural systems. Additionally, this article criticizes concept of “religious music“ as something unsustainable. Being that the Islam is based on Revelation and Absolute Text which is transmitted through voice, it is astonishingly inadequate how Muslims treat the sound world barrier, the same one they conditioned by their own totalitarianism. Racket and vacuum, scream and muteness coincide in that field. Accordingly, to a certain degree, Ummah is surely crippled, regardless of its gigantic rage through fashionable theories of body according to which the voice represents an extension of the same.